Our lives still change from the way that we were: 4/20 show
Notes on the music I played:
I play Zerostars fairly often, and there's a story behind that. Mainly it's because I like the music, and we are required to play 2 songs from local bands per hour. But there's more. Zerostars are a local band, and I work with the lead singer's sister, Suzanne. When I heard her brother was in a band, I didn't say "hey, somebody's brother has a band, I want to hear it!", I just kind of ignored it. I knew people in bands in high school; it was often not very interesting. In any event, one day I heard they were performing live on WLUW on the Razor and Di show, and so I gave the a listen, and I thought, "hey, these guys are good, I should be paying attention to this." So I talked to Suzanne about it, and got a copy of their first CD for the station, reviewed it, and got it into the catalog. I'm looking forward to their next CD, which I hear is coming along slowly. Some of the new songs can be heard on their MySpace page. Good stuff.
A couple of years ago Eric and I went to a free winter concert in downtown Chicago, featuring, among others, Mavis Staples. (Chicago does a series of free concerts in the winter that they call "Winter Delights".) Mavis Staples is a Chicago legend with a powerful voice, and the concert was a lot of fun. Now she has a new album out that we just got in the studio. When I saw that some of the songs featured Ladysmith Black Mambazo (perhaps best known for collaborating with Paul Simon on Graceland) I thought, well, I just have to play one of those songs! Great song.; very bluesy and rootsy. Without Ladysmith Black Mambazo it would still be a great song, but they add a layer of gorgeous harmony that really makes the song special.
Everybody's talking about Bright Eyes these days, it seems. I played Bright Eyes today because I had concert tickets to give away; I'm frankly not all that interested. I did hear a song I liked the other day (from another DJ also giving away tickets), but the one I played was not much to my taste, and I think sort of illustrative of what I was afraid it would be: generally mopey and with a quavery voice. (I don't mind sad songs, and mopey can be fine if it's done right see the Smiths but I don't think mopey in itself is a recommendation.) There is another angle to Bright Eyes, though. The band centers on one guy, Conor Oberst who has been recording since he was 14 (roughly half his life), and started Bright Eyes at 15. There is something potentially irritating about a child prodigy... that is, if you are not impressed, you are probably annoyed. It's a jealousy thing; it's unattractive, but there you are. Anyway, combine "child prodigy" with "mopey", and... well anyway, I have felt that I was probably not being fair, but I don't really plan to explore the band more. There are plenty of other bands out there that do interest me.
*: new stuff
(r): requests
artist | song | album | label |
New Order | Confusion | Selections from Retro | Warner Brothers |
The Rapture | The Pop Song | Out of the Races and onto the Tracks | Sub Pop |
*Au Revoir Simone | A Violent Yet Flammable World | The Bird of Music | Moshi Moshi Music |
*Bill Callahan | Sycamore | Woke on a Whaleheart | Drag City |
Zerostars | The Good Can't Escape | The Good Can't Escape | Self-released zerostars.com |
*CocoRosie | Rainbowarriors | The Adventures of Ghost Horse and Stillborn | Touch and Go |
Matthew Sweet | Scooy-Doo, Where Are You? | Saturday Morning Cartoons' Greatest Hits | MCA |
The Free Design | Now Is the Time | Heaven/Earth | Light in the Attic |
Kaspar Hauser | Fossil | Quixotic/Taxidermy | Backwardmasking |
*Mavis Staples feat. Ladysmith Black Mambazo | Down in Mississippi | We'll Never Turn Back | Anti- |
The Mortal Coil | Help Me Lift You Up | Blood | 4AD |
(r)Sloan | I Wanna Thank You | Navy Blues | Murderecords |
*Patrick Wolf | The Stars | The Magic Position | Tomlab |
Tom Waits | Emotional Weather Report | Nighthawks at the Diner | Asylum |
Everything but the Girl | Corcovado | Red Hot + Rio | Antilles |
*Los Straightjackets | De Dia y de Noche (All Day and All of the Night) | Rock en Español Vol.1 | Yep Roc |
*Dntel feat. Conor Oberst | Breakfast in Bed | Dumb Luck | Sub Pop |
Laurie Anderson | Coolsville | Talk Normal Anthonology | Warner Archives/Rhino |
(r)Scissor Sisters | Comfortably Numb | Scissor Sisters | Polydor |
*Klaxons | As Above, So Below | Myths of Near Future | Rinse/DGC |
*Vieux Farka Touré | Ana | Vieux Farka Touré | World Village |
*Henry Padovani | Y a plus d'saisons | A croire que c'était pour la vie | CIA |
Canasta | All this Dust | We Were Set Up | Broken Middle C |
Bright Eyes | First Day of My Life | I'm Wide Awake, It's Morning | Saddle Creek |
*Idlewild | If It Takes You Home | Make Another World | Sanctuary |
volcano! | Apple or a Gun | Beautiful Seizure | Leaf |
Cliff and Barbara Thomas | Jumpin' Jack | The Legendary Sun Records | Castle Pulse |
Les Séquelles | Crac! Boom! Hue! Oh! Hé! Hein! Bon! | Et tant pis si cela vous déplaît | Grenadine |
posted by Tony at 6:12 PM
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