Nihil sub sole novum - 2/29 show
Leap day!
One of the fun things about having an iPod shuffle is that in presenting random music, you're attention is drawn to songs you might not have have noticed otherwise. I can't say that the first track from Bobby Conn's 2007 album King for a Day would have caught my ear. Listening to the album as a whole, you're much likelier to notice the more single-like songs, like "Anybody" or "Love Let Me Down". However, heard out of context (and with the intimacy of headphones), "Vanitas" is a thrilling, nearly operatic torrent of rock. The lyrics are in Latin and taken from Ecclesiastes; need I say more? "Nihil sub sole novum": "Nothing is new under the sun". I've been wanting to play this song for a while, but wasn't sure how to fit it into the show. My solution? Make it the opening tune. (It's also a long song, which is useful for a day in which I got to the station a little later than I like, since I had to shovel snow again.)
So how do you follow a song like "Vanitas"? Not an easy question. I don't want to inflict too much sturm und drang on my listeners at 6am. What I needed was to carry forward some of that drama, while at the same time dialing it down a bit and introducing just a little more pop sound. Solution? Morrissey... specifically, his most fabulously over-the-top piece of drama, "November Spawned a Monster".
Rounding out the set, something from the new Magnetic Fields album. The silliness of the lyrics, over the heaviness of the feedback-laden style of the new album (Distortion), combined with Stephin Merritt lugubrious baritone... I think it was the perfect ending to the set.
I played a couple of tracks off vinyl today, as well. Years ago, while shopping at a local records store (Reckless, most likely), I ran across a record from 1984 by a man named Robert Görl, with the amusingly tacky name of A Night Full of Tension. What caught my eye was the little hand-written sticker on the front: "featuring additional vocals by Annie Lennox". Sold! I haven't listened to the whole album in a while; I remember it as dark technopop and largely forgettable. (Now that I've written that I'll have to give it another listen; maybe I'm wrong?) In any event, I did remember one song that's particularly good: "Darling Don't Leave Me". Annie Lennox is well-featured in this one &151; sort of a featured-backing-vocal, like Helen Terry in Culture Club and the song has that edgy, off-kilter quality that made early Eurythmics so great.
The other track played off vinyl is my favorite by The Flying Lizards. They are almost exclusively known for their cover of the song "Money" (a song that was used between news items during todays "Democracy Now", which followed my show), but there's much more to their work than that. Their self-title album begins with their aggressively shrill version of Kurt Weill's "Mandalay Song", almost daring you to turn off the stereo. Perseverance is rewarded with track two, the lovely "Herstory". The song has a slow sexy groove, with sardonic lyrics about sexism. The accented singspiel of Money and the nasal shrillness of "Mandalay Song" are replaced with earnest and soft female vocals intoning "You can still make money by singing sweet songs of love", complimented by spoken cockney men's voices repeating "I own you | You don't own me | You are my territory". This song made it onto many mix tapes I made in college.
I almost lost that record, actually. I found it in a record store in Montreal; it's not an easy album to find. I lent it to my friend Mark so that he could get a copy made for himself on CD (a trick that needed very specialized equipment at the time, which I could now do at home if I had the time). I left it with him in Providence for a while, and I think we both forgot about it. Then Mark moved, I think, and decided to unload most of his possessions before doing it. Before selling (or throwing out, I forget which) his records, he let a friend go through them and pull out anything he wanted. When I heard about this, I thought, oh hell, he still had my Flying Lizards album. Hell. So I met this friend of Mark's (someone I didn't yet know), probably at Fellini's Pizzeria on Wickenden in Providence where we all hung out that summer, and it turned out that yes, he had pulled The Flying Lizards. He saw it and knew it was something rare and worth having, and he kept it and then, when he found out it was mine, he gave it back to me. It's been many years since then, and I still feel thankful (even if I rarely listen to the album). I think his name was Damian. Thanks, Damian.
*: new stuff
(r): requests
artist | song | album | label |
---|---|---|---|
Bobby Conn | Vanitas | King for a Day | Thrill Jockey |
Morrissey | November Spawned a Monster | Bona Drag | Sire/Reprise |
*The Magnetic Fields | Zombie Boy | Distortion | Nonesuch |
*Bon Iver | Skinny Love | For Emma, Forever Ago | Jagjaguwar |
(r)Volt | Testbild | Volt | In the Red |
Romeo Void | Talk Dirty to Me | Warm, in Your Coat | Columbia/Legacy |
Patrick Wolf | The Magic Position | The Magic Position | Tomlab |
*No Kids | For Halloween | Come into My House | Tomlab |
*Vashti Bunyan | Coldest Night of the Year | Some Things Just Stick in Your Mind | Dicristina |
Toms | Sun | Yellow Pills: Prefill | Numero Group |
*British Sea Power | A Trip Out | Do You Like Rock Music? | Rough Trade |
The Returnables | Teenage Imposters | The Returnables | Dirt Nap |
Papas Fritas | I Believe in Fate | Buildings and Grounds | Minty Fresh |
The Polyphonic Spree | Section 22 [Running Away] | The Fragile Army | TVT |
Robert Görl feat. Annie Lennox | Darling Don't Leve Me | A Night Full of Tension | Mute Records |
The Whitsundays | Already Gone | The Whitsundays | Friendly Fire |
*The Way It Is | Fell in Love with a Carbomber | Be Still My Beating | Bull Independence |
Camille | Baby Carni Bird | Le Fil | EMI |
Amy Winehouse | Back to Black | Back to Black | Island |
The Flying Lizards | Herstory | The Flying Lizards | Polygram |
*Cat Power | Aretha, Sing One for Me | Jukebox | Matador |
(r)Johnny Cash | Orange Blossom Special | Live at Fulsom Prison | Columbia |
*Liam Finn | Energy Spent | I'll Be Lightening | Yep Roc |
(r)The Books | An Animated Description of Mr. Maps | Lost and Safe | Tomlab |
*Burial | Etched Headplate | Untrue | Hyperdub |
The Eternals | This Mix Is So Bizarre | Heavy International | Aesthetics |
Billy Bragg | Never Had No One Ever | The Smiths Is Dead | Les Editions Indépendents/Les Inrockuptibles |
Bettye LaVette | Sleep to Dream | My Own Hell to Raise | Anti-/Epitaph |
Yazbek | Son of a Gun | Damascus | |
Ushuaia Rocks! | Pink Moon | Un Fro Infierno | |
*Mahjongg | Tell the Police the Truth | Kontpab | K |
Pansy Division | Luv Luv Luv | The Essential Pansy Division | Alternative Tentacles |
*Sons & Daughters | Chains | This Gift | Domino |
Emotional Rescue | Nostalgia | Emotional Rescue | Think Tank Records |
*The Helio Sequence | Lately | Keep Your Eyes Ahead | Sub Pop |
*Valet | Fire | Naked Acid | Kranky |
(r)The Anniversary | Shu Shabat | Designing a Nervous Breakdown | Vagrant |
The Aerovons | Say Georgia | Resurrection | RPM |
*Kelley Stoltz | To Speak to the Girl | Circular Sounds | Sub Pop |
Josephine Baker and the Supposed | Who Will Feel Bitter at the Day's End? | All the Leaves Are Gone | Locust |
REM | Superman | Life's Rich Pageant | I.R.S. |
I'm from Barcelona | We're from Barcelona | Let Me Introduce My Friends | Mute |
posted by Tony at 10:18 AM
0 Comments:
Post a Comment
<< Home