Facts continue to change their shape: 6/1 show
Lazy me... or maybe just too much work, or something. I'm posting this very late, though as usual I'm backdating it to the date of the show. Sorry for anyone who was waiting around for it.
A few things I played were CDs I bought while in France.
Camille is someone my friend Graziella told me about in 2005, when her album came out. I didn't buy it at the time, but the name stayed in my head, and I heard her mentioned from time to time (most recently by Lester, an artist at Lillstreet who's gotten into French pop). This time, Graziella played me a song from her iPod and I decided to get the CD. It's good. After listening to it over and over again in the car as we drove around Périgord with only 5 CDs, it struck me that the sound is heavily influenced by Afropop, which is maybe a little unexpected. It reminds me of the Afro-Belgian group Zap Mama (or at least, their early work – the band is still around but I don't know what they sound like). The contrast is that Camille has the sort of high-pitched girlish vocal style that seems common among French femail singers. Anyway, the song I played is the one Graziella played for me on her iPod, and it's one of the strongest on the album. It's almost acapella, but with the addition of electric base, and the vocal sounds include squeals and raspberries, which makes me think of Björk. (I've been wondering to myself – did my friend Lynn also recommend Camille to me? Or am I getting mixed up because her middle name is Camille? Not sure...)
Olivia Ruiz was another French artist recommended by Graziella, though she didn't specify an album, so I got an earlier one that was cheaper. (New French CDs are shockingly expensive, but the store we go to also has used CDs, and we buy those when we can.) Olivia Ruiz's album is not 100% successful, but it has a number of very good songs. She too has that sort of high-pitched girlish vocal style, but much less of an Afropop influence. Instead, Ruiz plays with a number of styles, including traditional French music, American 50's pop, and musicals. Some songs veer too close to that French pop sound of the 80's that was so terrible, but in general I like the album. The song I played, J'Aime Pas L'Amour, has a touch of the tango to it, but breaks into guitars in the middle.
Uztaglote was my own find. The store we went to, Gilbert Joseph, had a number of CDs set up in listening stations, and Uztaglote was one of them. Near as I can tell, they are an independent release; I can't quite identify the label, though. (By which I mean, I actually can't find the name on the CD.) They hew more closely to traditional French café music, but they are a bit tongue-in-cheek at the same time. I haven't fully decyphered the lyrics of the song I played, except that it has to do with wanting a doll. It sounds a bit like café music and a bit like new wave.
*: new stuff
(r): requests
Artist | Song | Album | Label |
The Talking Heads | Crosseyed and Painless | Remain in Light | Sire |
Kate Bush | Eat the Music | The Red Shoes | Columbia |
*Slavic Soul Party | Šiško's Blues | Technochek Collision | Barbes |
*Montag | No One Else | Going Places | Carpark |
Andrew Bird | Measuring Cups | The Mysterious Production of Eggs | Righteous Babe |
Os Mutantes | Panis et Circensis | Tropicália: ou Panis et Circensis | Universal |
*Mary Timony Band | Sharpshooter | The Shapes We Make | Kill Rock Stars |
Camille | Ta douleur | Le fil | SCPP/Virgin |
Deee-Lite | What Is Love? | World Clique | Elektra |
*Electrelane | Tram 21 | No Shouts, No Calls | Too Pure |
*Battles | Race: In | Mirrored | WARP |
Quasar Wut-Wut | Enola Gay | Taro Sound | Glorious Noise |
The Judybats | Scarlett | Pain Makes You Beautiful | Sire |
Puffy Ami Yumi | Boogie Woogie No. 5 | Hi Hi Puffy Ami Yumi soundtrack | Epic |
Ted Leo + the Pharmacists | Me and Mia | Shake the Sheets | Lookout |
Eurythmics | This is the House | Sweet Dreams (Are Made of This) | RCA |
Olivia Ruiz | J'aime pas l'amour | J'aime pas l'amour | Polydor |
*Wilco | Either Way | Sky Blue Sky | Nonesuch |
(r)The Decemberists | Yankee Bayonet (I Will Be Home Then) | The Crane Wife | |
*Jana Hunter | Vultures | There's No Home | Gnomonsong |
Bobby Conn | Anybody | King for a Day | Thrill Jockey |
Har Mar Superstar | Body Request | The Handler | Thrill Jockey |
*Watchers | Mercenary Birds | Vampire Driver | Gem Blandsten |
*Fennesz Sakamoto | Cendre | Cendre | Touch |
Aretha Franklin | All Night Long | Sweet Bitter Love | Columbia |
*Elliott Smith | New Disaster | New Moon | Kill Rock Stars |
Canasta | Sympathetic Vibrations | We Were Set Up | Broken Middle C |
The Futureheads | Decent Days and Nights | The Futureheads | Sire |
Each Other | Soft Cuffs | Each Other | Birds Go South |
*Rufus Wainwright | Tiergarten | Release the Stars | Geffen |
Sean Lennon | Queue | Into the Sun | Grand Royal |
Sister Vanilla | K to Be Lost | Little Pop Rock | Chemikal Underground |
*Uztaglote | La Poupée | La Liberation des Corps | R |
Jens Lekman | The Wrong Hands | Oh You're So Silent, Jens | Secretly Canadian |
*Black Moth Super Rainbow | Sun Lips | Dandelion Gum | Graveface |
*Parts and Labor | Vision of Repair | Mapmaker | Jagjaguwar/Brah |
The Scissor Girls | EvrxbdxLvsaGdMxstrx | To: The Imaginary Layer on Skeletons | Quinnah |
*Frog Eyes | Evil Energy, the ill twin of... | Tears of the Valedictorian | Absolutely Kosher |
The Shangri-La's | Trains from Kansas City | The Myrmidons of Melodrama | RPM |
The Headlights | Century | The Enemies | Polyvinyl |
Adam and the Ants | Killer in the Home | Kings of the Wild Frontier | Columbia |
*The Race | Walls | Ice Station | Flameshovel |
Brian Wilson | Roll Plymouth Rock | Smile | Nonesuch |
They Might Be Giants | Particle Man | Flood |
posted by Tony at 6:25 PM
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